We're once again back on the Road to Avengers: Doomsday. Only this time we adventure outside of the Fantastic Four and instead have a story of Iron Man vs. Doctor Doom.
Iron Man: Doomquest is a 1981 storyline published by Marvel Comics and can be found in issues #149-150 of the 1968 volume of Iron Man. David Michelinie wrote the story while John Romita Jr. was the artist.
The story is, after finding out some of his electronics have been being sold to Latveria, Tony Stark aka Iron Man plans to go to Latveria and confront Doctor Doom. But as the two are caught up in their fight, someone takes advantage of the chaos and send the two past in time. Now, enemies must put aside their differences if they want to go back home.
- Negatives
I've got nothing.
- Mix
The one of two mix elements is the story. First let's go over the good stuff. The dynamic between Iron Man and Doctor Doom was a great aspect. They maybe two brilliant minds in suits of armor, but once you read their dialogue and thoughts, you notice just how different they are beyond just your plain good and evil. Not to mention but they interactions, banter, and fights are very true to their characters. But the slight issue stems from the lack of balance. While Iron Man is still involved in the story one way or another, when reading these two issues back-to-back, this definitely leaned more towards Doctor Doom then Iron Man. His arrogance and tragic hubris shine in these issues. I mean sure it's great that it shows Doctor Doom is capable of being a villain outside the Fantastic Four, but if you're an Iron Man fan you'll be pretty bummed out your hero didn't get enough of the spotlight.
My other mix feelings come from John Romita Jr's artwork. Now Romita Jr. still provides some great splash pages, great details to characters and buildings, and everything's very clean and smooth. Having said that I don't think I'm gonna remember a lot of the art in this storyline. Sure it's looks good, but a lot of stuff didn't leap out of the page for me. Now I can't solely blame JRJR for this. Because during this time Marvel Comics was still going by a very strict "house style". Artists back then couldn't really express their style too much because the editors at the time wanted everything clean, dynamic, and standard. Say what you will about JRJR's more blocky style, but I would much prefer that then something that blends in with everything else.
- Positives
So do I have anything truly and 100% nice to say? Yes, yes I do. While the pacing is the greatest thing ever, this is still a pretty quick read to get through. You can read these right now and next thing you know, you're done.
Now I don't hate these issues by any means, I still did enjoy this story for what it was. It's just there were somethings I didn't agree with.
Having said that, I'm gonna give this storyline a rating of, Good.
So that's going to do it for me. Come back on Monday, Apr 27th, for part four of Looking Back at the Films of 2025. Until then, enjoy the rest of your day.







